[A]n emerging movement of critics, theorists, writers, and artists argue that techniques of appropriation and quotation are inherent to the creative process. Not only are the concepts of originality and innovation obsolete, they've always been myths. Let's call this movement recreativity.
The most high-profile proponents of recreativity are Jonathan Lethem and David Shields. Both published manifestos—"The Ecstasy of Influence: A Plagiarism" and Reality Hunger: A Manifesto, respectively—that put into practice what they preach by being assembled almost entirely out of quotations.
—Simon Reynolds, "You Are Not a Switch," Slate, October 5, 2012
As a proponent of combinatorial creativity and remix as a tool of innovation, I am always fascinated by how famous creators think about inspiration, influence, and the origin of ideas, recognizing their combinatorial nature — and how bystander critics often dismiss these creative transmutations with terms as derisive as "recreativity."
—Maria Popova, "Transformation as Authorship: From Igor Stravinsky to Philip Glass by Way of Disney and Beck," Brain Pickings, October 10, 2012